Mardaani 3 sees Rani Mukerji's Shivani Shivaji Roy battling human trafficking queenpin Amma (Mallika Prasad) in corrupt system devaluing poor lives. Film critiques indifference power privilege through brisk narrative grounded action unflinching gaze neglected realities. Strengths restraint grim presentation purposeful anger strong performances; weaknesses predictability tropes loopholes familiar module. Rani fierce natural intensity anchors conviction Mallika intimidating sharp. Necessary angry right places flawed usual ways sustains franchise woman-led stories pushing trafficking conversation without softening.

Kishor Pandurang Bele's Gandhi Talks is a bold silent film set in chaotic Mumbai, exploring how money ("paisa bolta hai") shapes morality through contrasting lives of wealth and poverty. Vijay Sethupathi shines as desperate Mahadev, Arvind Swamy impresses in limited role as fallen Boseman, and Aditi Rao Hydari captivates with expressive eyes. Strengths include meditative silence turning therapeutic amid noise, honest performances, textured score with old songs, and meaningful commentary on greed without dialogue. Weaknesses minor in niche appeal. The rebellious format proves silence louder than words, earning loud applause for originality and emotional depth.

Aashiq Abu's Baby Girl starts with promising psychological thriller core exploring trauma and relationships but succumbs to conveniences and predictable twists. Nivin Pauly delivers committed performance as a man grappling past secrets, supported by strong cast including Sangeeth Prathap and Roshan Mathew. Strengths include atmospheric tension and emotional moments; weaknesses dominate with contrived plotting, underdeveloped characters, and resolution lacking impact. The film entertains sporadically but fails to sustain intrigue or depth, feeling like missed opportunity despite solid technical aspects and performances.

Jyoti Deshpande and Jio Studios' Landlord, directed by Mansore, is a raw 1980s-set rural action drama exposing caste-based landlord oppression in Karnataka villages. Debutant Pranav Deshpande shines as a young man fighting systemic injustice, with strong performances from Achyuth Kumar and supporting cast. Strengths include authentic village atmosphere, impactful action, and meaningful messages on education and constitutional rights. Weaknesses involve predictable plotting and occasional pacing dips. The film delivers a powerful social commentary blending emotional depth with rousing resistance, earning praise for its relevance and sincerity.

Border 2, directed by Anurag Singh, serves as a polished sequel inspired by 1971 War events like the Battle of Basantar and INS Khukri story. Sunny Deol anchors with commanding presence and emotional depth, while Varun Dhawan surprises as Major Hoshiar Singh, Diljit Dosanjh brings charm, and Ahan Shetty delivers restraint. The film balances patriotism with human moments, shining in second-half battlefield brotherhood and sacrifices. Strengths include nostalgia from original songs and reflective dialogues; weaknesses involve indulgent first-half backstories, reduced roles for women, and lack of original's rawness. At 3 hours 19 minutes, it's a respectful big-screen salute to service, though playing safe with gloss over grit.

Debutant Advaith Nair's Chatha Pacha brings desi pro-wrestling to Kochi with nostalgic WWF/WWE references and entertaining in-ring action. Arjun Ashokan, Roshan Matthew, and Vishak Nair lead as trainees turned wrestlers, with Vedhika Sreekumar shining as Rosamma. Strengths include crisp editing, effective music, and striking visuals capturing wrestling spectacle. Weaknesses lie in faltering drama, underdeveloped conflicts, and underutilized characters, leaving the film uneven. It earns credit for fun costume wrestling presentation but struggles to balance entertainment and emotional impact.

Josh Safdie's Marty Supreme transforms a 1950s table tennis hustler's story into a delirious, high-stakes spiral of obsession and survival. Timothée Chalamet delivers a magnetic, physically committed performance as Marty Mauser, a fast-talking Jewish schemer with delusions of grandeur. The film ricochets through cultural satire, provocation, erotic detours, and vulnerability, refusing traditional sports biopic tropes. Strengths include its audacious momentum and tender moments amid chaos; weaknesses lie in its exhausting intensity and lack of clarity. Gwyneth Paltrow's perceptive supporting role sharpens the narrative. Overall, it's a marvelously reckless cinematic experience exploring ego and self-awareness.

28 Years Later: Bone Temple, directed by Nia DaCosta and starring Ralph Fiennes as Dr Ian Kelson, Jack O'Connell as Sir Lord Jimmy Crystal, and Alfie Williams as Spike, is rated 3.5/5 for humanising horror in a violent sequel shifting focus from zombies to human conflict, fanaticism, and resilience. Strengths include DaCosta's kinetic direction, stellar performances, unpredictable tone, and exploration of meaning in tragedy symbolised by the bone temple ossuary. Weaknesses minimal, though zombie departure may surprise franchise fans. The film is a fierce tender triumph for British horror, powerful middle chapter in trilogy.

Rahu Ketu, directed by Vipul Vig and starring Pulkit Samrat as Ketu and Varun Sharma as Rahu, attempts a mythological action-comedy reimagining Rahu and Ketu as benevolent divine brothers tasked with eradicating corruption in Himachal Pradesh. The non-linear narrative involves a mysterious writer whose diary manifests reality, but the film is criticized as an "exhausting mess" with weak writing, confused mythology, vague conflict, and incoherent climax. Strengths include the lush Himachal setting and leads' chemistry; weaknesses dominate with undercooked characters, stereotype treatment of the state as drug-infested chaos, and wasted supporting cast like Piyush Mishra and Chunky Pandey. Shalini Pandey's role feels purposeless. The verdict calls it a misfire unworthy of theatrical viewing, collapsing under narrative issues despite postcard frames and erratic banter charm.

Naari Naari Naduma Murari, starring Sharwanand and Agastya Naresh with Sakshi Vaidya and Samyuktha, is a smartly written comedy praised for situational humor, strong performances especially father-son duo timing, emotional depth clean entertainment. Strengths include laugh riots self-aware satire relatable characters; weaknesses predictability pacing dips second half repetition. Debut director Ram Abbaraju crafts fresh core idea conflict circumstance timing emotional baggage. Background score playful songs average. It's a solid family entertainer consistent humor no heavy drama suitable weekend viewing.